Threads of Loss, Patterns of Return opens on 23 May in our showroom. The opening takes place from 18:00 to 21:00. 

You can visit the exhibition between 23 May and 20 July 2025. Our opening hours are Wednesday to Sunday from 14:00 – 19:00, and Friday from 14:00 – 21:00.

“It seems impossible to imagine you, though I see the patterns of your landscape, return in the contours of my face”

It seems impossible to imagine you
You are spoken of as the roof of the earth
A name carried with weight
Honor woven into its threads
Your landscapes are harsh
Etched with shadow and mystery
Yet, you appear so unmoved
At ease

Your tears are welling up
Forming rough rivers
Eroding the edges of the stones you wear
Proudly
The poppies are twirling in the wind
Their seeds
Dispersed

It seems impossible to imagine you
Though I see the patterns of your landscape
Return in the contours of my face
My brow bones
Arching over my eyes
My nose
A mountainous border

Woven together
We carry a home for each other
In our shadows
Hidden
What if I told you we found a way
To extend out of these shadows
We have grown beyond their edges
It unsettles me
Does it unsettle you too?

It seems impossible to imagine you
But I miss you
I long to dance among the red poppies
To drink from your streams
Ice cold
Bright blue
Curling their way down the hills
Like veins
My feet touching your soil
Grounded
The grass soft beneath me
I yearn to imagine you

Threads of Loss, Patterns of Return weaves together diasporic stories of uproot, queerness, and the fragile but persistent relation to cultural origin. How does one negotiate the longing for a ‘homeland’ that feels unreachable – and how does one redefine their connection to their heritage? Through imaginative landscapes the exhibition explores how narratives of belonging are shaped.

By:
Arsalan Ishaqzai

With:
Sarjon Azouz
Arjîn Elgersma
MAryam Touzani
Shizhe Qian

Campaign Image:
Thomas Bunt

Arsalan Ishaqzai (He/Him) is a curator, producer and program maker based in Rotterdam. He moves between contexts of exhibitions and club nights, with a focus on themes of diaspora and the creation of counter narratives. His work speaks to diasporic communities that formulate alternatives for dominant perspectives with courage and imagination. Arsalan believes in the power of collectives that question systems and make space for new stories. He aims to nurture budding ideas, and to contribute to a movement that challenges and transforms the status quo.

Sarjon (He/Him/She/Her/They/Them) is a showgirl, curator, online troll and audiovisual artist hailing from Aleppo, Syria and based in Arnhem, who works with vanity as a research space in identity politics. A novelist without novels, they create and perform an excessive amount of alter egos and characters with many different story arcs and urgencies, writing their own narratives to reflect different political realities. In various contexts of nightlife, online platforms, museums, and contemporary art spaces Sarjon uses their surroundings as a host to nurse and develop these characters.

Arjîn Elgersma (They/Them), generally known under the name DJ Shahmaran, is a Rotterdam-based Dutch/Kurdish DJ, producer, and sound artist. Over the years they have made a name for themselves as a DJ and organiser by weaving together different strands of percussive and bass-driven music; sonically straddling the line between tradition and experimentation. Recently they started to release music that immerses the listener in epic journeys. Inspired by storytelling, critical theory, and fantastical imagery, they strive to express and work through uncomfortable, unfinished, and transformative moments in life.

MAryam Touzani (She/Her) is a visual storyteller based in Rotterdam, whose work delves into themes of diaspora, identity, and existential rootlessness. Drawing from her personal experience of navigating Dutch and Moroccan heritage, her practice reveals the hidden narratives that emerge where these cultures overlap, conflict, and intersect. Through a distinctive visual language, she examines both the layers of identity and the disparities inherent in these experiences. Her work explores stories of resilience and survival amid the tensions and historical violence embedded in these narratives. Touzani’s work has been featured at the Manuel Rivera-Ortiz Foundation during Rencontres d’Arles 2024, and she has been selected for the FOAM Talent program for 2024-2025.

Shizhe Qian (He/Him) is a visual artist working with photography and artificial intelligence, based in The Hague. Born in Northeast China, his practice explores the shifting boundaries between autonomy and connection, self and others. With a background in physics, theater, philosophy, and photography, he approaches image-making as a way to challenge our rigid systems of categorization. Drawing from human-centered philosophies, he seeks to reveal alternative ways of seeing the world and the mind.

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